View from Amsterdam Central station exit,
A bold, angular white form resembling that of an origami
bird situated next to a massive, billboard tower. Not exactly what one would expect of Amsterdam, but it catches the public's attention nevertheless and spurs future visits. Unlike most examples of aggressive architecture, the form becomes less
intimidating and more inviting as one moves closer. Using inviting light and open
spatial moments to its advantage, form, program, and context all succeed within
the design in a symbiotic manner.
FORM: The fast
paced angular form is reaching right into the sky. The structure cantilevers
over the surrounding land opening itself up to the public, attracting curious
pedestrians. Placing transparent moments in key areas, the mass appears to be defying
gravity from certain vantage points.
PROGRAM:
One can tell from a distance the project could be used for a
large public space such as a museum, gallery, theatre etc. but how public? As
you enter the structure you can tell it is used for film or music with multiple
theatres and offices. The biggest spatial moment however is the main foyer
which opens itself up to the public through accessibility, light and
materiality. With a small scale bar centered in the space surrounded by interior
and exterior terraced seating, this gathering space is perfect for audiences at all scales.
Photo: Archdaily
CONTEXT:
The New Dutch Film Institute sits along the rather empty
waterline in Noord Holland, directly across from Amsterdam Central train
station. It is not a timid design move placing an aggressively formed film
institute across the water from the biggest train station in Amsterdam, however
Delugan Meissl Associated Architects have designed this project in order to
turn heads and attract the public. In their minds once they’ve gained the public’s
attention they’ll reward them right back. With a wide open exterior public space
stepping down into the water, pedestrians can pause and reflect back on
downtown Amsterdam as the sun sets in front of them.
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